Visual Arts was established in 1980. Each
year, seven to ten exhibitions have been mounnted. In
the beginning only Chinese artists were feataure. Later,
Asian artists and then all artists of excellence were
included.
Some examples of past exhibitions are listed in chronological
order as follows:
1980-1983
East Meets West--Chinese export porcelain, paintings,
and other objects made in the eighteenth and the nineteenth
centuries for Western market. They clearly show the
results of East meeting West. Art pieces were loaned
from the MFA, the China Trade Museum of Canton, the
Peabody Museum of Salem and from private collections.
This exhibition marked the opening of our gallery
facility at the old Metropolitan Center which later
became the Wang Center for the Performing Arts.
The Magnificent Landscape of China; Fine Art
Photography by Tchan Fou-li--Tchan is an internationally
celebrated photographer who has received numerous
honors and awards and was repeatedly listed among
the top ten of photographers selected by international
salons. His photographs were dramatic representations
of the delicate beauty, the grandeur, the poetry,
of Chinese landscape.
Chinese in Massachusetts: Their Experiences and
Contributions--A humanities exhibition documenting
the history of the Chinese in Massachusetts, this
was researched and produced by us and partially funded
by the Massachusetts Foundations for the Humanities
and Public Policy. This exhibit was created to accompany
Chinese of America: 1785-1980--a documentary
exhibition produced by the Chinese Culture Foundation
of San Francisco which we invited to be shown at our
gallery. The San Francisco show was funded by the
National Endowment for the Humanities.
Synthesis: Images of China and the West--featuring
works by Maria Fang and Joanna Kao.
Children's Eye: Paintings by Children from All
Parts of the World--200 winning entries of world
wide children's art competition.
1984
Artists from China: The Young Generation--Eight
young and promising artists originally from Beijing,
Shanghai and Gwongzhou were selected and featured
in this show to reflect the current tendencies in
Chinese art after the Cultural Revolution.
Chinese Women of America, 1834-1982--a photo
and text documentary of the lives, struggles, and
achievements of Chinese women in America in the past
century. It also traced the events and issues which
affected Chinese women over the years. Coinciding
with the exhibit were workshops and symposia dealing
with the role of Chinese American women of the 80's
East Meets West: Architecture as a Means of Bicultural
Communication--This show explored how the architects'
and planners' bi-cultural background had influenced
their work and how did they adapt traditional planning
theories and principles in their search for a new
vocabulary of contemporary Chinese architecture. Liu
Tian Wei, An Innovator of Chinese Painting--An extraordinarily
talented young artist from Shanghai , Liu held his
first solo show in this country at Boston Center for
the Art. His work attracted the attention of CCI's
Curator and led to this show.
Liu Tian Wei, An Innovator of Chinese Painting--An
extraordinarily talented young artist from Shanghai
, Liu held his first solo show in this country at
Boston Center for the Art. His work attracted the
attention of CCI's Curator and led to this show.
1985
Essence Beyond Form--From over 200 applicants
17 artists were selected by 3 curators for this show
which explored the influence of Chinese art theories,
principles and styles on the work of Western artists.
This was a collaborative project of CCI and the Boston
Visual Artists Union.
Li Xing-bai--Li is a painter of the Beijing Painting
Academy. He was invited by Indiana University to be
an artist-in-residence in
1985.
Kuang Chung-yin--Kuang is a follower of Chang Ta-chien,
one of the foremost masters in China in this century.
Chao Er-dai--paintings, calligraphy, ceramics and
seal carving by the 72-years old Taiwan based artist.
Retrospective, an exhibition highlighting CCI's past
art exhibitions to mark the opening of its new facilities.
1986
Art, East and West--concieved as a cross-cultural
exhibition to showcase points of artistic interaction
and difference, it then expanded to a gamut of programs
and activities held during the exhibition period.
Ethnic Minorities within China, Diversity and
Unity--an exhibition of paintings by three Chinese
artists who traveled to various regions in China and
depicted the lives and customs of many of the ethnic
minorities in China.
Fissures and Chasms, Recent Work by Qiu Deshu--Qiu,
a Shanghai artist who had evolved a uniquely personal
style and technique of painting, was an artist in
residence at Tufts University in 1986.
The Loom and the Wheel, featuring works by
six weavers and ceramists from Asia.
Five Chinese American Artists--For the first
time Chinese American artists were shown as a group
in Boston. The purpose of this show was to examine
the conscious and unconscious links of one's ethnic
background to his/her artistic creativity.
1987
Liu Tian Wei, New Work At Chinese Culture Institute--Liu's
deep rooted Chinese training fused with unique personal
views and experiences in art resulted in his abstract
work created in 1983 and 1984 which is a marriage
of line, form, color, space, rhythm and movement,
and the beauty and flavor of Chinese calligraphic
gesture. His Oeuvre of that period is imbued with
a strong sense of music and lyricism. It generated
a great deal of favorable comments from the critics
and enthusiasm in the collectors. In his paintings
of 1986, the viewer may find the connection with Chinese
art very tenuous. One may think that he has departed
completely from his Chinese tradition and entered
the main stream of Western modern art. In fact, there
is a intrinsic but intangible relation between Liu's
oeuvre and traditional Chinese art. Beyond the obvious
differences in media and techniques, a deeper layer
of difference between Chinese art and Western art
is seen in the attitudes of the artists when dealing
with human emotions and cosmic problems. Chinese art
rarely dwells on agony and despair. Such emotions
are always treated with utmost subtlety and control
whereas in the West they are exaggerated, even dramatized.
Sharing Oswald Spengler's view about the history and
cultures of mankind, Liu Tian Wei uses his art to
express his sympathy with this German philosopher.
The meanings in these works are profound yet the expression
is subtle.
Spirit of the Brush, the Relations Between Chinese
Painting and Calligraphy--Nowhere in the world
has calligraphy so closely connected with painting
as it has in China and Japan where Chinese influence
is most evident. The Chinese scholars and artists
have used the same kind of ink, brush and paper or
silk for centuries and the two arts have shared the
same aesthetic theories and principles. The two arts
have been related since the first century of our era.
With the rise of wen-jen hua (literary man's painting
or literati painting) in the Sung dynasty the closeness
of the tie reached its height. Many famous painters
of Sung and subsequent dynasties were excellent calligraphers
as well. The qualities of calligraphy are judged by
its Ch'i-yun (rhythmic vitality), which has always
been the chief desideratum of both calligraphy and
painting. It has been generally accepted that training
in calligraphy forms the basis for painting. Even
today, while Chinese painting is not taught in the
schools, calligraphy is a required course from the
third grade through senior high. This exhibition,
with explanatory text, illustrations and sample art
pieces, is intended for educating the viewer about
the techniques, materials and shared qualities of
the two arts.
Chinese Women Artists--The show featured ten
area women artists working in different media.
Two Artists from Kwangzhou--We organized
and presented the work of Wang Sha-kang and Liang
zho-shu, two very expectional artists, at Boston's
Symphony Hall.
Painting in China, the Last Three Decades--The
show reflects the dreams and hopes of the Chinese
artists who have lived in a society which, not long
ago, would not allow expressive license, but now encourages
the exploration of new ideas. The importance of this
show is to give our audience an opportunity to see
what China's new generation of artists are producing.
Dreams and Fantasies, the Art of Luis Chan--A
leading member of the Hong Kong Art Club since 1930
and author of several books, Luis Chan is a master
of dreamlike illusion and a poet of the incongruous.
Chan's traditional style gave way to a series of experimentations
in the sixties, and he arrived at his current, imaginative
version of Surrealism during the seventies. Belonging
to the first generation of modern Chinese painter,
he is widely recognized in South East Asia.
Boston Remembered, Paintings by Wang Shakong--Wang's
nostalgic watercolors of China's countryside charmed
Boston's audience when they were shown at CCI in a
group show. During his sojourn in Boston, Wang fondly
recorded the landmarks and scenery of Boston and its
vicinity with his paint brush. Upon leaving Boston
the artist shared with the audience his feelings and
perceptions of this city.
1988
Artists from China, Personal Expressions--The show
featured a group of highly accomplished and well known
Chinese painters, sculptors and print makers such
as Yuan Yunsheng, Wang Keping, Bai Jingzhou, Ma Desheng
and Yang Qian who for the pursuit of more creative
freedom, had left China in the past ten years and
worked intensely "in an attempt to make up for a century
of lost time," as the leader of this group stated.
The output of this group clearly shows the aspiration
of contemporary Chinese artists and the directions
they are taking.
Gong Hai-lan--Gong, a resident of Tokyo, is a young
and promising artist originally from Shanghai. His
surrealistic style draws the poetry from ordinary
things, and while his technique has been influenced
by Western traditions, his art reflects the many facets
of Eastern aesthetics.
A Glimpse of the Middle Kingdom--a photographic
documentary by Akram Burton that explores the beauty
of China and the life of its people.
For the Theatre; Designs Bridging the East and
the West--An exhibition of models, renderings,
scene paintings and costume designs. The two D and
three D designs are accompanied by informative texts
that enable the viewer to learn about the process
of the designers' creativity. The three designers
were faculty members of theatre schools in Beijing
and Shanghai. They have designed for numerous stage
productions as well as for television.
Asian American Artists Annual Show--Works
ranged from painting, drawing, ceramics to sculpture
and installation.
Chinese Contemporary Tapestry by Yuan Yun-Fu--Yuan
is one of the leading contemporary artists in China.
His mastery of Chinese folk and fine arts and knowledge
of Western art combined with his inventive ideas resulted
in these refreshingly unique designs for the monumental
silk and wool wall hangings. Coming directly from
Beijing, the tapestries were shown for the first time
in New England.
1989
Chinese Calligraphy by Liu Tian Wei--Invited
by CCI's curator the artist created this most unique
show consisting of 16 single pieces or sets of 2,
3 or 4 pieces of work in which the contemporary concept
of design and the abstract beauty of Chinese calligraphy
resulted in a perfect marriage.
Penjing U.S. Premiere 1989--The Chinese have
been developing the art of creating and growing miniature
trees and landscapes since the 8th century. This art
was introduced to Japan at a later date. Today, most
Westerners know this attractive and absorbing form
of gardening only by way of the derivative Japanese
Bonsai. This exhibition afforded the viewer
an opportunity to see the original purity and breadth
of Chinese Penjing. The pieces were cultivated by
two leading masters of this art in China. They came
to Boston with the show and demonstrated at the opening.
Sister Cities: Boston And Hongzhow Landscapes
of Boston and Hongzhow--watercolors depicting
the city- and waterscapes of both cities by two artists
in China. Wang Xu-zhu visited Boston in 1985 and was
moved by the various sights of the City which he felt
was so different from cities in China. He recorded
his excited emotion and first impression of the streets,
buildings, and the Charles River, and created a group
of paintings which he brought back to China and showed
there. Xia Ye painted the scenes of Hangzhou and joined
Wang in this show.
Essence Beyond Form, Art Reflecting East-West
Cultural Interactions--Exploring the results of
Chinese influence on non-Asian artists, this juried
show featured 12 area artists. Their work ranged from
painting to sculpture and photography.
Cities Anonymous, Fine Art Photography by Yves
Lieou--The work consists of some three dozen images,
from shots taken in recent years both in this country
and abroad. These are not travelogue pictures or ordinary
scenes of beauty. They are the artist's personal expression
of what he saw, be it some wry incident or a tableau
with social overtones.
Best Publications from Taiwan--A book fair held at
our gallery and co-sponsored by us and the World Book
Store. Over 14,000 titles were displayed.
The Dream Shattered, Ten Year Reform and the Beijing
Massacre--a photo, video and slide documentary
co-produced by CCI and Hong Kong Chinese Students
for Human Rights.
Beyond Ink and Color, Paintings by Nancy Chu Woo--The
show consists of over thirty pieces of abstract landscape
paintings each is an orchestration of colors. Woo's
intense study of both Eastern and Western modes of
painting coupled with her strong desire to search
for the new give birth to a style that has the poetry
of Chinese landscape painting and the boldness of
Western abstract.
1990
A Fresh Look at Old Tradition--showcasing
the work of nine regional Chinese artists each of
whom interprets the tradition of Chinese painting
in a unique way.
Chinatown Community Plan--An exhibition of
architectural designs submitted by various architects
for a Chinatown Community Center. The project is part
of the Urban Design and Development Control section's
effort in developing a community-based master plan
for Chinatown. We involved in the process.
New Expression: Contemporary Chinese Brush Paintings,
1984-1989--Over 30 paintings by ten artists from
different regions in China and from Hong Kong were
featured in the show. With sound trainings in the
traditional Chinese mode and media these artists have
successfully evolved powerful personal styles which
challenge tradition and yet at the same time pay homage
to it. This group of work are technically facile,
visually pleasing and fresh in approaches and treatments
of familiar subjects. They represent tendencies of
contemporary Chinese painting.
Overseas Chinese Artists from Taiwan--penjing
(miniature landscape in a pot), painting and calligraphy
by ten artists from Taiwan
Woo Yeh Kee, A Foremost Painter of the Lin-nan
School--Founded over half a century ago, the Lin
Nan School has a stronghold in Kuangdong Province
although the style of that school has also been adopted
by artists elsewhere. But those artists are mostly
of Kuangdong origin. The style of this school is characterized
by the use of bright and diaphanous colors and the
insistence on close representation of the object depicted.
1991
One Medium Two Cultures--
Cross Currents--Paontings by Elsa Marley and Chen
Keliang Although generally abstract their new
work ratain allusions to landscape and the perception
of atmosphere and light while paying tribute to modernist
gestural painting.. In these works the artists have
introduced skeins of poured-color and gold enamels
which overlay to rich ornamental quality onto the
subtle watercolor washes that are the traditionally
derived foundation for their work. Many paintings
are in the customary scroll form and others are smaller
works on silk-mounted Chinese paper.
Asian Women as Artists--
Chinese folk paintings from Wangxia village
Paintings done by farmers from Wangxia Village of
northwestern Hebei Province. They give us vivid views
of life in rural China. Wangxia is rrich in folk art
traditions including embroidery, paper-cutting and
furniture painting, elements of which are seen in
these unaffected, unpretentious, and straightforward
folk paintings.
1992
Works On Paper--Featuring 10 winners of 1992
Artists Fellowship from New England Foundation for
the Arts, Harry Bartnick, Joseph Fekieta, Kathleen
Henderson, Mona Higuchi, Marjorie Moore, Wellington
Reiter, Michael Donne Stevens, Randy Stevens, Randal
Thurston, Lisa Young
The Language Of The Birds And Flowers, Chinese
Paintings By Guo Yi-Fang Trained in the Chinese painting
tradition and specialized in the bird-and-flower genre,
Guo Yi-Fang used the tradition as a point of departure
and evolved a style which retains much of the old
spirit but conveys a strong contemporary vision. One
of his work in this show, An Apricot Tree in a Garden,
won the Grand Prize in the 1988 Hong Kong-Sheng Zhen
Chinese Painting competition
Monkey In Chinese Paintings--Works by Tsang
Chee-Lau In Celebration Of The Year Of The Monkey
TERU YOSHIDA SPARKS, oil paintings and pencil
drawings Three series: Trees. Goddesses, Scenes from
Goethe's Faust-Part II Artist's statement: "I work
with lots of feelings; feelings about deteriorating
and poisoned nature. I often meditate on life and
the relationship between man and nature. The symbols
in my work represent the light of realization, the
shadow of death, the moon of rejuvenation, and the
trees of the spirits of nature and man. The rivers
and water are the flow of life." Teru Yoshida sparks
was born to Buddhist parents in Tokyo, Teru Yoshida's
outlook on life in her early years was influenced
by Buddhist philosophy. Trained at Bunka Gakuin and
the Brooklyn Museum School, Ms. Yoshida has lived
and traveled in Europe and deeply interested in the
precise technique of Flemish paintings. Ms. Yoshida
respects life and modern science, and believes in
the interdependence of all living things in the universe.
Her paintings and drawings are urgent and intense
calling for the end of man's exploitation of nature.
She said: "The mind that discovers and invents can
also seek to exploit." "Our provenance is not the
mastery of nature, but balance within nature.'
New works of ten Chinese artists-- Jim ENG,
LI Youen, LI Zhuming. LIANG Biwei, LIANG Zhoshuž LIU
Chun, NIU Xiaolin, YU Shan, YUAN Chia. ZHAO Weimin
New Concept--works by Claffy Williams
Young Artists-- Selective works created by
students from twenty regional high schools participated
in our Arts Workshops and Competition
1993
Work-On-Paper--10 award wining New England Artists
3/6-3/31 Seven members of Artists Association exhibit,
Ma Qing-xiong Recent Work
Racial Harmony
Yu Shan's Watercolor
Jia Bo--
Du Yu-huw's watercolor
1994
One Medium, Two Cultures--Oil paintings by
Alfred DeCredico, Hsu Jian-guo, John Devaney, Li Zu-ming,
David Keller, Li You-en, Sue Miller, Yuan Jia Associated
Programs This exhibition is supported in part by a
grant from the New England Foundation for the Arts
with funding from the National Endowment for the Arts
and the Massachusetts Cultural Council.
Associated programs:
Lecture by Dr. Doris C.J. Chu,, topic:
Chinese and Japanese nfluences and French art in
the 19th century
Artists Panel Discussion Topic: East
and West Cross Cultural Interaction, its meaning and
results; and the artists' creative experiences
Participants; John Devaney, Li You-en, Claffy
Williams, Sue Miller, Yuan Zuo, Wellington Reiter,
Hans Chao Moderator; Doris C.J. Chu 1/22/94,
Gallery Concert featuring Deng Guiping, soprano,
Zhiyuan, baritone
Scholars and Pavilions in the Mountains,
paintings by Judith Funkhouser, "I believe tat art
comes form solitary contemplation and wondering and
I have long been interested in famous hermits, solitary
thinkers and wonderers such as Leonardo da Vinci,
Matsuo, Basho, HenryDavid Thareau, and certain Chinese
scholar painters. I have been very much influenced
by the Chinese scholar painter who became reclues
and escaped to the mountains rather than serve under
corrupt or foreign governments or to avoid the dangers
of political intrigues. They painted to express a
mood or feeling, putting down an idea or concept quickly,
an inspiration of a moment and revealing the artist's
true self. They believed that the primary thing in
painting was the joy of brush rhythms and that a painting
should not be a lavish copy of reality. Allusiveness
and suggestion reflected the intimacy of communication
among a small elite of scholars with a similar education,
who needed only to hint at a literacy of painterly
allusion to be understood. They called thair paintings
Silent Poems. They captured certain poetic moment
and immortalized them. They workered in ink only and
often deliberately used distortions of form and touches
of awkwardness. They painted a world to which man
belongs but does not dominate. Their paintings are
noted for their emptiness and above all knowing when
one has said enough." Judith Fundhouser
Ethnic Minorities of China: Genre Paintings in
Oil--Featuring works by 11 artists from Human,
China The people of the ethnic minority nationalities,
with their colorful and exotic dress, their distinctive
customs and way of life have been a favorite subject
of many Chinese artists, including Qian Dexiang and
the other Human artists featured
New England Today .This is an annual show
exploring the visions and accomplishments of contemporary
artists of this region. Ech Follen, Erica Licea-Kane,
Wendy B. Mueller and Dawn Southworth, all winners
of NEW?NEFA Artists Fellowships have been selected
to be featured In this show. The four artists each
work in a uniquely different style and media. Adjunct
Program
Ageless Vighurs Genre paintings depicting
life in Xianjiang by Wang Rong-Sheng
DIVERSE INFLUENCERS--59 pieces of work by
28 artists from different parts of the United States
and abroad call themselves the Viridian Artists are
on view at the Chinese Culture Institute's CCI Galllery.
The show opened on March 14 and will continue through
May 25. The Viridian Artists have their own gallery,
Called the Viridian Gallery in mid-town Manhattan,
New York. The individual artist's work represents
a very personal style and of high artistic merit.
Together their work make a very attractive show.
Racial Harmony and World Peac--Works expressing
the visions and hope for racial harmony and world
peace created by over one hundred children from six
area Chinese language schools entered this juried
exhibition.
12/1/95 - 1/28/96 New England Today The fourteen
artists spotlighted this year have two things in common:
They chose paper as their medium and they were among
the the winners of the Artists Fellowship awarded
by the New England Foundation for the Arts in 1994.
Adjunct program Adjunct Program
Association porgram: Chamber Music featuring Esther
Ning Yau, piano, Anastasia Degruttola, violin, Cheung
Chau, cello
1997
Yun-Nan: In The South Of The Cloud Paintings
Paintings By Fan Yibo Fan Yibo of Yunnan Province,
China, has been invited by the Chinese Culture Institute
to mount a solo exhibit as part of CCI's arts exchange
program with China. Depicted with highly deft technique,
Ms. Fan's work represents a variety of exciting styles.
One Art From Two Cultures Nine artists working with
contemporary vocabularies have been invited to join
this exhibition. They are Lorey Bonante, Gail Boyajian,
Feng Liang-hong, Jennifer Gordon, Andrea Hoelscher,
Dean Nimmer, Sand T. Tomas Vu-Daniel, Sanasia Ye.
The exhibition intends to examine the visions of contemporary
artists of the East and the West, and the vocabularies
and techniques of each.
Adjunct Program--Soar a one person music/dance/drama
by Chia Ti Chiu.
1998
Asian American Artists 18 aartists with 45
pieces of works are featured in this show. Each artist
uses the contemporary vocabulary in his/her own way.
The media vary from traditional oil to monotype printing,
to collage, to computer imaging.
Racial Harmony And World Peace--A youth art
exhibition featuring works expressing the visions
of and hopes for racial harmony and world peace created
by over one hundred children from six area Chinese
language schools entered a juried exhibition at our
gallery. The show consist of 2D and 3D pieces and
large collaborative work.
Dreamland Melodies, art via digital by Yu Shan Yu
Shan experiments with a new medium. He broke away
from traditional media and forms in pursue of new
possibilities. 9/9 - 10/31/98 Inspirations, monotypes
by Claffy Williams
1999
Li Youen, New Works in Oil and Gouach--As
a versatile artist, Li designs stage sets and costumes,
and does illustrations for books and magazines. In
this show, his favorite photo realist portraits of
Marilyn Monroe and the late Princess Dianna of Great
Britain on large canvases, and naturalistic landscapes
are intriguing.
Spirit of the East The first of an annual
exhibition celebrating non Asian Artists' accomplishments
in Chinese brush painting. 23 artists were featured
in this show.
Time Frames--a photography exhibit of Emily
Corbato's work which was developed from the photographer's
observation during her time of travel to Portugal,
China, Peru and Japan in the last two years. Her lens
reflects a vision of the people in different cultures
and captured the wonder and beauty of the landscape.
Process: The Constructin of the Urn; The
Vision of Poetry--A multidisciplinary event involving
poetry, dance, sculpture and performance art.
2000
Art of Qin Feng-- featuring a Chinese artist
from Germany who was Artist-In-Residence of the International
Society..
Boston Afro-American Artists
Spirit Of The East--The second annual show
of this subject. It featured 33 Boston area
artists, mostly of non Asian origin, paint with Chinese
media and in the Chinese mode. They were artists of
Western media and technique before they study Chinese
brush painting. Their works in this exhibition show
striking vitality and diverse expressions of those
familiar subjects of landscape and bird-and-flowers.
They have acquired the most difficult painting technique
and the understanding of Chinese aesthetics.
Mini--Oil on canvas by Mongolian artist, Moni. Though
still an emerging artist his work has attracted considerable
attention and many of his paintings have already been
sold to local collectors. His colors are intense,
forms simple, his brushwork powerful and rugged The
pictures collectively bespeak his constant search
for the perfect union of human and nature and man's
communion with heaven and earth. The memory of a vast
meadow dotted with a solitary cow or a horse or a
human being is a lasting image etched in Moni's psyche.
He constantly returns to that land dear to his heart,
capturing its mesmerizing soul with his brush. He
calls those pictures his self-portraits.
Hallowed Groudns--in collaboration with Women's
Caucus for Art, this is a group show curataed by International
Society's Curatorial Committee and featured all female
artists
2001
-
Ceramic
art of Jendezheng, China--Jendezheng is
a world renowned porcelain and ceramic
art center of Chinese. Through our effort over
100 highly selective pieces were shipped to
our gallery for the show.
- Power Print,
woodblock prints and mixed media work by Nepal artist
Rum Kumar Panday and Boston artist Yin Peet.
- The Mind of Space;
Upper Story, Drawing, collage, painting and
art mixed media work by Sand T.
- Multiplicity
and Reiteration, a juried groups show featuring
20 artists to explore how the subject would alter
the meaning of a visual image or a form. A content
is generated or the object by their very repetition.
The meaning of which reside as well in their arrangement
The show attempts to explore the impact of
repetition. How do multiplicity and reiteration
alter the meaning of a visual image or a form? A
context is generated for the object by their very
repetition. The meaning of which reside as well
in their arrangement. However, the idea is subject
to each individual artist's interpretation. In the
end, the seventeen artists selected for the show
have created impressively unique works. 18 artists
have been selected to participate in this show.
They are Nathalie Loveless Axel, Linjdsay Berenzweig,
Christina Chang, Margaret Pace-DeBruin, May Emery,
Randy Garber, Gunta Kaza, Li, Tie, Clara Lieu, Patrick
Maloney, Morrix, Norna J. Ritz, Lisa Occhipinti,
Christy Sophia Park, Claudia Ravaschiere, Maria
Aguirre Saravia, Michael W.W. Wilson, and Delphine
Zohn
- Spirit of the East--a juried group show featuring
30 mostly non-Asian artists who admire and have
studied Chinese art for years
- African American
Artists --a juried groups show featuring 26
African American artists
- Beijing
Memory: Streets and Alleys, Doors and Gates
Portrayed by Zheng Yuanan on View at the Tremont
Gallery
Aug 2 -- 31, 2001
- Cross
the Mongolian Prairie: Recent Paintings by Chaolun
Baatar
At the Tremont Gallery
Sept. 3 -- Oct. 15, 2001
Gallery hours: Tues - Sat, 9:30am - 5:00pm, through
Oct. 15, 2001
- Vision and Aspiration, a group show featuring
all female artists
Other links of related interest
Highlights
Tremont Gallery
Exhibition 2001
Calendar
What's New
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Joining our membership.
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New)
Making donations -- Send your tax deductible donation
to
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276 Tremont Street
Boston, MA 02116)
